-ΦMy Distilled SpiritΦ-

痾啊整個曬傷刺痛完奇癢難耐
然後就想到了北川景子的"刷刷"(我是很需要刷背)
結果變成了earworm揮之不去 = =...

於是偶然找到了一堆名詞術語的英文
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原來日本人還是發得出"刷"這個捲舌音的

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Meme(模因): an idea, behavior or style that spreads from person to person within a culture. While genes transmit biological information, memes are said to transmit ideas and belief information.

Earworm(洗腦歌): a loan translation of the German Ohrwurm, is a portion of a song or other music that repeats compulsively within one's mind, put colloquially as "music being stuck in one's head."

Hook(記憶點): a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock music, hip hop, dance music, and pop. In these genres, the hook is often found in, or consists of, the chorus. For example, the "hook" of Beethoven's Fifth Symphony could be said to consist in the distinctive three G notes followed by an E-flat.(登登登 等～～)

Motif(動機): a shortmusical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition. ex: Sabre Dance (Fa Do Fa Do Fa Do Fa Do...)

Groove(律動): the sense of propulsive rhythmic "feel" or sense of "swing" created by the interaction of the music played by a band's rhythm section (drums, electric bass or double bass, guitar, and keyboards). ex: bass drum on beats 1 and 3 and snare drum on beats 2 and 4

Fill(過門): a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between thephrases of a melody. (我只知道The White Stripes的鼓不會有過門...)

Lick(潤飾): a stock pattern or phrase consisting of a short series of notes that is used in solos and melodic lines.

Ostinato(頑固低音): (derived from Italian: "stubborn", compare English: obstinate) a motif or phrase which is persistently repeated in the same musical voice. An ostinato is always a succession of equal sounds, wherein each note always has the same weight or stress. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. ex: Johann Pachelbel's Canon

Counterpoint(對位法): the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent (polyphony). It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of thecommon practice period, especially in Baroque music. The term originates from the Latin punctus contra punctum meaning "point against point". ex: Fugue no. 17 in A-flat major, BWV 862, from book 1 of The Well-Tempered Clavier by Bach